1666: Amsterdam is buggy and sometimes bewildering, but there's real ambition too

There's an old Sam Raimi profile in the New Yorker I think about quite a bit. This is because, mid-way through the piece, Raimi says one of the most interesting things I've ever heard a film-maker, or any kind of creative person, put into words.

Titre et résumé dans la langue d’origine : l’anglais.